Glexis Novoa

...because open source matters

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SALTWORKS GALLERY

Drones
(Personal exhibition), Saltworks Gallery, Atlanta; November 11, 2011 - January 7, 2012.

S
ALTWORKS is pleased to present a solo exhibition of new works by Glexis Novoa, on view from November 11, 2011 through January 7, 2012.

Continuing a search for parallels in social phenomena, Novoa's latest works present historical narratives of a dystopic society. The large mixed media works on paper, use metaphor to show the decaying centralizing force of past political icons and technology as the new dehumanizing enchantment. In Lenin | Miami Times, the head of a monumental sculpture of V.I. Lenin that is being dismantled becomes the distant planet of Saturn with its rings composed of faces, famous and unknown, taken at random from the local newspapers of Novoa's home in Miami. Novoa visualizes mass media's polarizing force and the disconnect between media and public. Novoa suggests the rapid dissemination of information by the few via mass media is just a new form of the old propaganda machine.

War is another manifestation of the absurd in the few controlling the masses. Here, technology takes the form of unmanned aerial vehicles or Drones, specifically the MQ-9 Reaper, used extensively by the military in Operation Enduring Freedom in Afghanistan. In Private Drone, a profile of the MQ-9 Reaper dominates a vast empty landscape except for distant monuments sitting on the horizon line and several other drones dotting the sky. Void of any human presence, the Private Dronecentered in a golden starburst is an omnipresent anonymous entity. Novoa draws a dystopian world where identity is absent and the individual is displaced by technology.